Credits and press
Credits by role.
Series and singles for the BBC, Netflix, Channel 4, Channel 5, ITVX, A&E and Peacock.
Terror at 30,000 FeetSeries about terrifying aviation accidents. Oversaw storyboarding, casting, MIVs, recon shoots and 6 edits.
6x60 · Raw CutSeries Producer and Director
Rolf Harris: Hiding in Plain SightStoryboarding; directed crew-shot interviews and studio recon; took EP1 through the edit.Nominated: Broadcast Awards
2x60 · OptomenSeries Director
Rich House, Poor House USAScripting and storyboarding; managing US and UK shoot teams; contributor welfare; oversaw all eps in the edit.
8x90 · Emporium ProductionsSeries Producer
Five Star Babies: Inside the Portland HospitalShot, directed crews and edit produced this series about the UK’s only private maternity hospital.
2x60 · Plum PicturesSeries Director
The Sinking of the Costa ConcordiaInterview and archive retrospective. Oversaw casting; conducted UK and international IVs; took EP1 through the edit.
2x60 · ITN ProductionsSeries Producer and Director
Manhunt: The Railway KillersResponsible for story planning, casting, directing IVs and recon. Worked across 2 of 3 edits.
3x60 · ITN ProductionsSeries Producer
Inside the Bank of EnglandFilmed Mark Carney and his staff preparing for Brexit. Challenging access and complex content. EP’d both eps.
2x60 · Raw TVSeries Director
Britain’s Biggest Primary SchoolRan a team of PDs and APs, as well as directing, shooting and edit producing 2 episodes.
4x60 · Century FilmsSeries Producer
The Crane GangOversaw location production teams and all edits for this playful ob doc about crane drivers.
3x60 · Liberty BellSeries Director
Richard E. Grant’s Very Modern OdysseyResponsible for 2 episodes of this international co-production travelogue through the lands of Homer’s epic.
4x60 · Emporium ProductionsEdit Producer
Toughest Forces on EarthResponsible for crafting 2 episodes of this script-heavy, high-adrenaline series.
8x45 · Emporium ProductionsEdit Producer
Sex, Lies and the College CultOne of three edit producers who made this feature doc about cult leader Larry Ray in just 4 weeks.
1x90 · ITN ProductionsEdit Producer
Barristers: Fighting for JusticeBrought in to re-cut this series on leading defence barristers, writing all 3 eps and dealing with complex legals.
3x60 · Spring FilmsSeries Editor
Accused: After the VerdictResponsible for a key story in this multi-strand feature doc based on the successful A+E series.
1x90 · BrinkworthEdit Producer
Taylor: A Story of LoveGlossy one hour for global distribution, tracing Taylor Swift’s romantic songwriting via master IVs and archive.
1x60 · Lion Television / All3Media InternationalWriter and Director
The Real UnforgottenFilmed and directed scenes for this story about a major cold case murder investigation.
2x60 · BrinkworthAdditional Director
Inside the World’s Toughest PrisonsFilmed and directed presenter Raphael Rowe in a Bosnian prison, casting characters and maintaining access.
1x60 · Emporium ProductionsProducer-Director
The AccusedHugely sensitive with complex compliance. Shot, directed and edit produced these feature docs.Nominated: RTS and Broadcast Awards · Grierson shortlisted
2x90 · BrinkworthDirector
The Railway: Keeping Britain on TrackShot and directed 3 of 6 eps of this major series about the rail network.
6x60 · Century FilmsProducer-Director
Secret Millionaire: Sean GallagherMine was one of the most successful and acclaimed episodes in this long-running series.
1x60 · RDFProducer-Director
The Choir: Boys Don’t SingFilmed and directed, took two eps through the edit.Winner: BAFTA, RTS and Broadcast Awards
4x60 · Twenty TwentyProducer-Director
Press
What the critics said
“A remarkable film which has the potential to create a new genre in television…”
The AccusedThe Independent
“Disaster documentaries can be dispassionate, mechanical affairs, but this was a frightening picture of sheer panic.”
The Sinking of the Costa ConcordiaDaily Mail
“Fascinating to be reminded of the ways she has functioned as a lightning rod…”
Taylor: A Story of LoveThe Guardian
“Strangely nerve-racking, like a heist movie, only in reverse”
Inside the Bank of EnglandNew Statesman
“A real success of a show”
Richard E. Grant’s Very Modern OdysseyThe Guardian
“A determinedly upbeat picture of a school community rallying together and looking to the future”
Britain’s Biggest Primary SchoolMail on Sunday
“One of the best things on television… who would have thought a school choir would be a metaphor for an ideal society”
The Choir: Boys Don’t SingThe Independent