EDIT PRODUCER: TOUGHEST FORCES ON EARTH (TX during 2024). 8x45 for Netflix (Emporium Productions). Comm: Mollie Block. Exec: Emma Read. I EP’d 2 episodes of this fast-paced new series. A script-heavy project, I was responsible for weaving VO driven actuality and master interviews with specialist factual GFX explainers.

SERIES DIRECTOR: ROLF HARRIS - HIDING IN PLAIN SIGHT. 2x60 for ITVX + ITV1 (Optomen). Commissioner: Kate Teckman. Exec: Nick Hornby. Working closely with the SP to shape narrative, I directed and conducted crew-shot interviews, prepped and directed studio shoots, and utilised large amounts of archive to construct EP1 in the edit. NOMINATED: 2024 Broadcast Awards (Best Multichannel Programme).

SERIES EDITOR: THE DEFENDERS. 3x60 for C4 (Spring Films). Comms: Shaminder Nahal/Rita Daniels. Exec: Richard Melman. I was brought in to re-cut this series about the country’s leading defence barristers. I ran the edits - writing all 3 episodes, shooting pick-ups, and dealing with complex legals.

EDIT PRODUCER: SEX, LIES AND THE COLLEGE CULT. 1x90 for Peacock (ITN Productions). Comm: Rod Aissa. Exec: George Waldrum. Feature length doc about sex cult leader Larry Ray. I worked alongside 2 other EPs to make this 90 minute film in 4 weeks.

SERIES PRODUCER/DIRECTOR: THE SINKING OF THE COSTA CONCORDIA. 2x60 for Channel 5 (ITN Productions). Comm: Dan Louw. Exec: Nathaniel Lippiett. Interview and archive-based retrospective. I oversaw casting, shot and conducted UK IVs, set-up and directed remote international IVs and took episode 1 through the edit.

PRODUCER/DIRECTOR: INSIDE THE WORLD’S TOUGHEST PRISONS. 1x60 for Netflix (Emporium). Commissioner: Mollie Block. Exec: Emma Read. Filmed & directed presenter Raphael Rowe in a Bosnian prison. Ran the production team on location, maintained access with senior prison management and helped cast characters.

SERIES PRODUCER: MANHUNT - THE RAILWAY KILLERS. 3x60 for Channel 5 (ITN Productions). Commissioner: Dan Louw. Exec: Nathaniel Lippiett. I researched this complex story, oversaw casting, directed interviews and recon, and worked across 2 of 3 edits.

EDIT PRODUCER: ACCUSED - AFTER THE VERDICT. 1x90 for A+E Networks (Brinkworth). Line Manager: James Tovell. Exec: Malcolm Brinkworth. I looked after one of the main stories in this multi-strand feature doc based on the successful A+E series.

SERIES DIRECTOR: INSIDE THE BANK OF ENGLAND. 2x60 for BBC2 (Raw). Comm: Craig Hunter/Tom McDonald. Execs: Liesel Evans/Rebecca North. Filmed during 2018 as Mark Carney and his staff prepared for Brexit. I successfully dealt with extremely challenging access and a highly complex subject matter, shooting all actuality and directing crews for master IVs. I took both eps through the edit.

DIRECTOR: THE ACCUSED. 2x90 for Channel 5 (Brinkworth). Comm: Guy Davies. Exec: Malcolm Brinkworth. Hugely sensitive and involving challenging compliance, I shot, directed, and edit produced these 2 feature docs. NOMINATED: RTS (Single Doc) + Broadcast Awards (Original Programme). SHORTLISTED: Grierson (Single Doc)

SERIES DIRECTOR: 5 STAR BABIES - INSIDE THE PORTLAND HOSPITAL. 2x60 for BBC2 (Plum Pictures). Commissioner: Elliot Reed. SP/Line Manager: Kari Lia. I self-shot and directed crews for this 2-part documentary about staff and their super-rich patients at the UK’s only private maternity hospital. Took episode 2 through the edit.

SERIES PRODUCER: BRITAIN’S BIGGEST PRIMARY SCHOOL. 4x60 for Channel 5 (Century Films). Commissioner: Simon Raikes. Exec: Liesel Evans. I ran a team of PDs and APs, as well as directing, shooting and EPing 2 episodes.

SERIES DIRECTOR: THE CRANE GANG. 3x60 for BBC2 (Liberty Bell). Commissioner: Sam Anstiss. Exec: Jamie Isaacs. Oversaw location production teams and edit producers to make this playful ob doc about crane drivers.

PRODUCER/DIRECTOR: THE RAILWAY - KEEPING BRITAIN ON TRACK. 6x60 for BBC2 (Century Films). Commissioner: Maxine Watson. Exec: Liesel Evans. Shot, directed and EP’d 3 of 6 episodes.

PRODUCER/DIRECTOR: SECRET MILLIONAIRE. 1x60 for Channel 4 (RDF). Exec. Tayte Simpson. Mine was one of the most successful and acclaimed episodes in this long-running series.

PRODUCER/DIRECTOR: THE CHOIR - BOYS DON’T SING. 4x60 for BBC2 (Twenty Twenty). Commissioner: Emma Willis. Exec: Jamie Isaacs. Filmed and directed across all episodes, taking eps 1 and 4 through the edit. WINNER: BAFTA (Features) + RTS (Constructed Factual) + Broadcast Awards (Popular Factual)